000			01952nam a22002417a 4500
005			20250709152449.0
008			250709b |||||||| |||| 00| 0 eng d
020			_a9781501318542
040			_cAL
041			_aeng
082			_a791.4309 _bRYAI
100			_aMichael Ryan _9217942
245			_aIntroduction to film analysis _b: technique and meaning in narrative film
250			_a2
260			_aLondon _bBloomsbury Academic _c2024
300			_a276p. _bPB _c23.5x15cm
520			_aAn Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through: -the basic technical terms -shot-by-shot analyses of film sequences -set design, composition, editing, camera work, post-production, art direction and more -each chapter provides clear examples and full colour images from classic as well as contemporary films Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way. The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory. New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.
650			_aFilm Criticism _9217921
650			_aMotion Pictures _9217928
650			_aCritical Analysis _9217922
700			_aLenos, Melissa _9217923
942			_2ddc _cBK
999			_c234600 _d234600