000			01713nam a22002177a 4500
005			20250221151923.0
008			250221b ||||| |||| 00| 0 eng d
020			_a9789354640773
040			_cAL
041			_aeng
082			_223 _a530.12 _bZETQ
100			_aNouredine Zettili _9201775
245			_aQuantum mechancis _b: concepts and applications
250			_a2nd ed.
260			_aNew Delhi _bWiley _c2023
300			_axiv,829p. _bPB _c26x20cm.
365			_2General _a6387 _b₹1116.00 _c₹ _d₹1395.00 _e20% _f06/02/2025
520			_aJust looking at the first line, the setting is a place that’s threatening to tip over into the unnatural. The uncanny atmosphere is eerily present, like something terrible you can’t look away from, and in fact, want to read more of. Here’s how the description achieves this: The juxtaposition of a tourist-like welcome and the death imagery that follows Very physical descriptions of “unearthed bones” and “a city thrumming” Things are given agency that shouldn’t have agency: the city, dead children Intentions and desires are disconnected from people like bodies without a soul With carefully chosen language and imagery, the blurb transports us to a Buenos Aires that’s teeming with the dead. It’s what ties the short stories together. We don’t need to know about individual characters or plot lines because the setting is described so intentionally, it makes us feel uncomfortable with our own curiosity for this dark place: what ungodly thing is happening in this city? And when you make your readers feel something, you know your Amazon readers will hit “Buy now.”
650			_2Physics _aQuantum Mechanics _9201776
942			_2ddc _cBK
999			_c233861 _d233861