000			01480nam a22002297a 4500
005			20221104160307.0
008			221104b ||||| |||| 00| 0 eng d
020			_a1856693333
040			_cAL
041			_aEnglish
082			_223 _a741.60952 _bLOVG
100			_aKeith Lovegrove _961066
245			_aGraphicswallah: Graphics in India
260			_aLondon _bLaurence King _c2003
300			_a160 p. _bPB _c28x24 cm.
520			_aFrom Mumbai to Chennai and from Kochi to Karachi, from the humble sign writer to the blue-chip advertising agency, the creative industries of India entice and inform a population of over one billion. In this crowded, colorful world, innovation is often born of necessity and scant resources, and can result in the very clever or the completely ridiculous. The most exciting graphic work has been singled out by the keen eye of Keith Lovegrove on his journey through India. He lovingly documents a wide range of vernacular graphics and commercial art from the personalized bodywork of vehicles to advertising hoardings; from political posters to lavish Bollywood publicity. The result is a celebration of the huge variety of graphic work that Lovegrove found in this densely populated landscape and a reflection of the religious, political and cultural diversity along his route.
650			_aIndia _961067
650			_aGraphic arts _961068
650			_aCommercial art _961069
700			_aLOVEGROVE (Keith) _961070
942			_2ddc _cGF
999			_c225018 _d225018