000			02563nam a22002417a 4500
005			20220423121522.0
008			220420b ||||| |||| 00| 0 eng d
040			_cAloy
041			_aMongolian
082			_223 _a709.2 _bCHOU
100			_aJ Choinkhor and others Ed _931342
245			_aUndur Geghen Zanabazar: гибгж ауахуи яйиймйяйж
260			_aUlaanbaatar _bMongolia National commission for UNESCO _c1995
300			_a141 p. _bPB _c24x18 cm.
520			_aÖndör Gegeen Zanabazar (born Eshidorji) was the sixteenth Jebtsundamba Khutuktu and the first Bogd Gegeen or supreme spiritual authority, of the Gelugpa (Yellow Hat) lineage of Tibetan Buddhism in Mongolia. The son of a Mongol Tüsheet Khan, Zanabazar was declared spiritual leader of Khalkha Mongols by a convocation of nobles in 1639 when he was just four years old. The 5th Dalai Lama (1617–1682) later recognized him as the reincarnation of the Buddhist scholar Taranatha and bestowed on him the Sanskrit name Jñānavajra (Sanskrit: ज्ञानवज्र, Zanabazar in Mongolian) meaning "thunderbolt scepter of wisdom". Over the course of nearly 60 years, Zanabazar advanced the Gelugpa school of Buddhism among the Mongols, supplanting or synthesizing Sakya or "Red Hat" Buddhist traditions that had prevailed in the area, while strongly influencing social and political developments in 17th century Mongolia. His close ties with both Khalka Mongol leaders and the devout Kangxi Emperor facilitated the Khalkha's submission to Qing rule in 1691. In addition to his spiritual and political roles, Zanabazar was a polymath – a prodigious sculptor, painter, architect, poet, costume designer, scholar and linguist, who is credited with launching Mongolia's seventeenth century cultural renaissance. He is best known for his intricate and elegant Buddhist sculptures created in the Nepali-derived style, two of the most famous being the White Tara and Varajradhara, sculpted in the 1680s. To aid translation of sacred Tibetan texts, he created the Soyombo script from which sprang the Soyombo that later became a national symbol of Mongolia. Zanabazar used his artistic output to promote Buddhism among all levels of Khalkha society and unify Khalkha Mongol tribes during a time of social and political turmoil. (en)
650			_aMongolia _930567
650			_aArt Mongolian _930568
650			_aDecorative Art _930569
700			_aCHOINKHOR (J) Ed _930570
700			_aTSOLMON (T S) Ed _930571
700			_aNOROVSAMBU (S) Ed _930572
942			_2ddc _cGF
999			_c222511 _d222511