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  <titleInfo>
    <title>Gender in film and video</title>
  </titleInfo>
  <name type="personal">
    <namePart>Neal, King</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Streeter, Rayanne; et.al</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Routledge</publisher>
    <dateIssued>2019</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>183p. PB 22.7x15cm</extent>
  </physicalDescription>
  <abstract>Gender in Film and Video tracks changes in gender on screen by documenting trends of the internet age. The jargon-free book focuses on six instances of media in transition and their histories, including the rise of feminism on television, in sports events, and in comedy-drama series; the growth of DIY production by underrepresented groups through crowdfunding and YouTube channels; and struggles between fans and producers over control of casting and storytelling. This volume focuses on the breakdown of the categories (content, production, reception) that top-down production/distribution in TV and cinema tended to keep distinct. This text is for students in sociology, media studies, and women’s and gender studies.</abstract>
  <subject>
    <topic>Public performance, Acting</topic>
  </subject>
  <classification authority="ddc" edition="23">791.436521 KING</classification>
  <identifier type="isbn">9781138206243</identifier>
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    <recordCreationDate encoding="marc">220309</recordCreationDate>
    <recordChangeDate encoding="iso8601">20220413105142.0</recordChangeDate>
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